VFX Legion Follows Up FX Created for ‘Madam Secretary’ S4 With Release of Breakdown Reel

The season finale of CBS’s political drama ‘Madam Secretary’ aired last week, closing with Secretary of State Elizabeth McCord (Téa Leoni) revealing her plans to run for president to her husband Henry (Tim Daily). VFX Legion followed up the cliffhanger with the release of a breakdown reel that takes a behind-the-scenes look at the making of some of the most complex and exacting photorealistic computer-generated environments created by the Los Angeles-based studio for the show’s fourth season.

Set in DC, the capital’s iconic landmarks, monuments, and buildings bring authenticity to the politically charged drama, which is no small feat for a series shot in New York City. This season, ‘Madam Secretary’ brought VFX Legion onboard to help keep things real, while streamlining the production. Its team’s experience and technical ingenuity were tapped to create large-scale set extensions and meticulously detailed CG environments that stood in for a number of practical location shots without sacrificing the accuracy of the acclaimed series.

The seeds for the show’s collaborative relationship with Legion were planted last spring when VFX executive producer Reid Burns screened its reel for Tony Palermo, a producer on the series. Clips of precise digital replicas of DC’s monuments, the White House, historic landmarks and mega-sized set extensions got Palermo’s attention. A few months later the studio was brought onboard to produce challenging computer-generated environments, indistinguishable from footage filmed on location.

VFX Legion’s first task was to create a CG replication of the White House for a large greenscreen set up. Helmed by founder, creative director, and senior visual effects supervisor, James David Hattin, itsartists met the challenge, as well as the show’s tight deadline, and went on to create a variety of true to life CG shots from the ground up. Legion’s library enabled the company to expedite the production of many the effects by building on existing assets.

The studio helped take the role of visual effect to the next level, augmenting footage with shots that would have been impractical or impossible to shoot live.

Its team created a digital doppelganger of Joint Base Andrews, the US military facility that houses Air Force One, and a real-world inspired digital rendering that used the Mosul Dam in Iraq as its frame of reference. The CG assets supported expanded storylines with scenarios that included the Secretary of State visiting these off-limit locations.

Legion’s sophisticated pipeline enabled its on-set supervisor in New York to gather data on tracking, camera angles, green-screen placement and other specs, while efficiently working with the LA team as a single unit to ensure that the computer-generated scenes precisely matched the live-action, as well as the look of the show.

“The bookends for season four’s finale were a digital reproduction of the Lincoln Memorial in Washington D.C. The iconic landmark is familiar to millions of people throughout the world. Viewers have would instantly pick up on any inaccuracies, so every detail had to be spot-on,” says Hattin. “It was a challenge to perfectly align the elements built on the stage with the CG renders so that they blended seamlessly."

Legion’s team used a variety of tools that included Maya for creating 3D, Redshift for 3D rendering, Syntheses for tracking, and Nuke for compositing.

Credits:
Project: VFX/ Madam Secretary
Breakdown Reel - VFX Legion S4
Production Company: Barbara Hall Productions, LA
Creator: Head Writer: Barbara Hall
Showrunner Executive Producer: Barbara Hall
Executive Producer: Lori McCreary
Executive Producer: David Grae
Producer: Téa Leoni
Producer: Tony Palermo

VFX Company: VFX LEGION
CD/Senior VFX Supervisor: James David Hattin
VFX Executive Producer: Reid Burns
VFX Producer: Nate Smalley
3D Supervisor: Rommel S. Calderon
On-Set Supervisor: David Isyomin
3D Animation: Alex Keller
3D Lighting: Chris Strauss
3D Lighting & Texturing: Bryan Sheppard
3D Tracking: Ruy Delgado
Matte Painting: Marc Adamson
VFX Coordinator: Lexi Sloan
Compositing: Nick Guth
Compositing: Austin Hiser
Compositing: Christopher Klassen
Compositing: Milton Muller
Compositing: Eugen Olsen
Compositing: Kyle Spiker

May 30, 2018 Environments

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